David Patten

"…a convergence of lines of interest rather than a bounded field of study" [Tim Ingold]

Menu

  • 00. RESUME and RECENT
  • 01. | no script |
  • 02. ‘USE-AS-IS’ | Reinhardt
  • 03. ‘luminous one’ | Leger
  • 04. Braque | Carl Einstein
  • 05. IKON | Walker ‘72
  • 06. Against Boundaries
  • 07. Cader Idris and the City of a Thousand Trades
  • 08. Baskerville and Birmingham
  • 09. THROWING STONES
  • 10. c/PLEX
  • 11. Coventry and Electric Wharf
  • 12. Stourport Canal Basins
  • 13. ALL–AT–ONCENESS
  • 14. Dartmouth Park Pavilion
  • 15. Golden Square, Birmingham
  • 16. Meshwork Worcester
  • 17. William Forsyth, Sculptor (2015)
  • 18. Some Collaborations
  • 19. Babel Texts | Drawing Surfaces
  • 20. Long View 2011-2012
  • 21. Some Other Projects
  • 22. 72|73|74|78|81
  • 23. Working Notes | Well-Making
  • 24. Lethaby on Webb, 2022
  • 25. Working Notes | Common Factors
  • 26. Other Notes
  • 27. Work Notes
  • 28. Secular self-emptying SBN
  • 29. Åskådningsfragment
  • 30. Donald Judd | Happenstance
  • X. ‘une sorte d’argot visuel’
  • X. DRAFT / Form och strålning
  • X. Workshops and Teaching
  • X. | Black Drawings |

“There seems to be nothing much to say, and sometimes nothing much to see.”

– Ad Reinhardt, 1954

Posted in Uncategorized on 21/03/2014 by Taskscape. Leave a comment

Links

  • Ad Reinhardt [IMAGELESS ICONS]
  • Ad Reinhardt [ONENESS]
  • Ad Reinhardt [ONE]
  • David Patten 2006-2013
  • Meshwork Worcester Sketchbook
  • Meshworking
  • Raymond Mason's Hands
  • Taskscape
  • The Quick & The Dead
  • William Forsyth: Sculptor
  • Witherley
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