26.09.2017 | Jan van Eyck, Bruges / 22.05.2018 | Rogier van der Weyden, Berlin

16.02.2019 | Liverpool

28.02.2019 | James Forsyth, V&A London

PDF: Bell Street Passage | ©Luke Unsworth

14.06.2019 | Postcard to Geoff

19.06.2019 | Jacqueline Mesmaeker, MuZEE Ostend

PDF: Jacqueline Mesmaeker | 2019 Catalogue

11.04.2011 to 27.07.2019 | F.E. (Bill) Pardoe1990

PDF: F.E. (Bill) Pardoe1990

27.07.2019 | Painting

17.09.2019 | LaM Lille

18.09.2019 | Reims

20.09.2019 | Trier

22.09.2019 | SMAK Ghent

10 & 11.01.2020 | Paris

04.02.2020 | John Walker, Ikon Gallery & University of Birmingham

Painting begins with a recognition of paint as inert mud. You take this mud, you change it, you give it light and air, form and expression… Paint, this stuff from the earth, is mud before anything else, and we ask it to transcend itself, to become intangible, we ask it to embody feeling, and form, and beauty.

– John Walker: Mud, earth and paint

PDF: John Walker | Ikon Gallery 1972

10.03.2020 | Braque 13 May 1962

PDF: Braque 1962 Sunday Times

23.03.2020

LINK: https://witherley.wordpress.com

06.08.2020 | Cranach at Compton Verney

08.08.2020

Though unstatic, they call for contemplation. Mute, they speak from the wall.

– Peter de Francia: ‘Léger’s ‘The Great Parade’, Cassell, 1969

18.09.2020

10.04.2021 [2016]

“between the picture and the wall” | “both experience and explanation” 

28.06.2021

03.08.2021 | Phyllis Nicklin, Castle Bromwich 13.10.1968